Still Life

Still Life

Dance

" There’s a terrible monotony in chaos. As we sit, wide awoke and transfixed, trapped in a terrifyi...

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The American Moth

The American Moth

Dance

The American Moth is a hybrid, multi-medial performance combining dance, theatre in multiple langua...

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Story, story, die.

Story, story, die.

Dance

With a cast of 7 extraordinary dancers – Story, story, die. looks at the interdependency between li...

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AMERICA ep. 3 - SuperAmateur

AMERICA ep. 3 - SuperAmateur

Dance

“What a vast screen one could fill if there were no edits…” For the final installment in their Amer...

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AMERICA - Ep. 2 Pychopatriot

AMERICA - Ep. 2 Pychopatriot

Dance

America’s got a story. And it’s sticking to it. But where’s it written down? Where is the ‘Great Am...

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Simulacrum

Simulacrum

Dance

Simulacrum weaves together the true histories of two extraordinary dancers – to create a semi-ficti...

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Jingle Horse! A Christmas Special

Jingle Horse! A Christmas Special

Dance

Jingle Horse is Winter Guests’ first direct collaboration with the Norwegian Opera and Ballet, and ...

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Coelacanth

Coelacanth [see,lu-canth]

Dance

With Coelacanth we present our biggest and most ambitious project ever - an epic 5,5 hour theatrica...

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LILLY & GEORGE

LILLY & GEORGE

Dance

Mum and Dad – It all begins with them. During our childhood, our parents’ experiences and choices b...

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BIRD IN MAGIC RAIN WITH TEARS

BIRD IN MAGIC RAIN WITH TEARS

Dance

Multi-medial two act play for three performers Essentially a piece about longing and coming to term...

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AMERICA - Visions of love

AMERICA - Visions of love

“AMERICA - Visions of Love” - a two act play based on original text and transcripts of recorded conversations collected whilst traveling through the United States.

Why does the whole world seem to be preoccupied with America and American culture? It seems an image or movie exists in everybody’s mind about what  “America” is.  We decided to grab a-hold of our assumptions; our love, loathing and prejudice, and travel to the USA to collect stories and situations for a play.

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What a vast screen one could fill if there were no edits. But, of course, there must be.  We have edited as one might edit a movie; re-ordering, re-contextualizing, re-forming characters, performances, personalities and people. And as in many great film noir courtroom classics, we have tried, judged and sentenced to death those who do not deserve their new fate and let those off, with a caution, who may have otherwise been vilified and destroyed – not in an attempt to present the truth, the whole truth and nothing but the truth behind contemporary American culture and society, but to confess our own need for myth and fantasy.  “Films... are fantasy...magical illusion”.

“AMERICA - Visions of love” is a play appearing in the form of a screenplay based on transcripts of conversations we took part in or observed, as well as  snatches of recontextualized dialogue from television shows or movies -and of course, our own writing.

In the press:

“Øyen's 12 year old nephew gives an impressive performance as an ageing, sex-addicted gay man.” -  Bergens Tidende

"Remarkably well performed and composed. At a high, International level." - Klassekampen

AMERICA - Visions of love

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